Category Archives: creativity

So I signed up for this screenwriting class…

It seems like every day since I turned three I’ve had a midlife crisis. I envy people who knew what they wanted to be since they were dressing up in the role for kindergarten Halloween, but I’m not one of those people. Our childhood shapes our hopes and dreams early on by how our parents reward or criticize us by even the slightest creasing of their eyebrow. I imagine in most families parents are happy with their kids doing fairly basic things — hitting the ball in a baseball game, coming home with a “B” on their report card, getting their first job. Other parents aren’t impressed by standard success metrics. Parents like mine expect more. They raise you to feel special and then your life is spent trying to be special or giving up and feeling let down. You officially have a parental-induced complex that even the best cognitive behavioral therapist can not eradicate.

Different cultures have different measures of success. While every family is unique, there is some truth to how particular groups fuck up their children in fairly standard ways. Asian parents teach their children that they must not feel special, only be better than everyone else, and being better than everyone else is not about innate intelligence or specialness but instead about working hard. Creativity is less valued – however, any talent that requires a lot of repetitive practice is considered high value (i.e. playing an instrument.) Jewish parents, meanwhile, put pressure on their children to be special and successful. Working hard is important but more important is some superhuman talent – we are the “chosen people” after all. Being good at something is not enough. We end up with such complex of hating ourselves while also desiring to be special that many of us develop biting senses of self-deprecating humor (Seinfeld, Woody Allen, Jon Stewart, Mel Brooks, Billy Crystal, the Marx Brothers, Sarah Silverman, Joan Rivers, Ben Stiller, Howard Stern, Adam Sandler, Larry David, Carl Reiner, George Burns, Milton Berle, Howie Mandel, et al.) There is a humor than one must have when they are incapable of achieving equal parts success and fame for their unique, novel contributions to society. Such complexes can be hilarious as comedy is the intersection of feeling bad for someone and relating to their situation just enough to laugh with them at the same time.

So. Here I am – this 32 year old Jewish girl who’s actually now a woman who lives in a one bedroom apartment with her new husband and a job which, despite paying well, is one where success is based on being practically a machine and not unique or special or creative or whatnot. Here I am, still dealing with the complexes my parents gave me and still feeling like life is meaningless if I don’t do something more special than save enough to retire on. I don’t exactly long for fame anymore – I used to want to be a famous actress but then I realized my face did not fare well on film or in any medium that would capture it from an angle other than slightly to the side and from above (not to mention my non-existent acting skills.) What’s changed, however, is that while I still want to create, I feel more comfortable with my ideas and my talents. I acknowledge now that most successful people weren’t successful from day one – they worked at it and they failed a lot and then they had a lucky break – and they certainly didn’t try to please someone else in order to achieve success. A lot of people took risks because that’s what their heart told them to do and for everyone that made it a few thousand didn’t or did to some extent but you never heard of them. There’s a heck of a lot of television writers in LA who you’d never recognize when you happen to be in line behind them at In-N-Out. But they get to write on a daily basis and get paid for it and their ideas come to life and that’s all sorts of cool. At the end of the day it’s just a job, like any other job, but I can’t help but feel like doing that would be a bit more fulfilling than waking up every morning to come up with a new way to promote the newest upgrade to business software.

With that, I signed up for a screenwriting class online that starts on Wednesday this week. I figure I’ll be a horrible screenwriter (dialogue is not my forte) but it could be fun to write a script even if it will undoubtedly suck. I have a lot to say about the world and people and the psychology of people and maybe writing is a way to accomplish that. Screenplays at least have a beginning, middle, and end, and can become more than just a self-published book that collects virtual dust on a Kindle shelf, if it even makes it that far. I look at the lists of comedic screenwriters and women are few and far between. In one list Lena Dunham was recognized at a top 10 comic screenwriter and Tina Fey is listed as well – but the majority on the list are men. (For the record I don’t find Tina Fey’s comedy very funny outside of old-school weekend update and Lena Dunham is too young/hipster for me and makes me feel like an old lady.) Jenji Kohan is listed as a comedic writer with a vag but she writes for television not film – not a bad thing, but still I’m looking for female comic screenwriters, not TV writers. Todd Phillips of the Hangover series has a dick, Adam McKay has a dick, Mike Judge has a dick, The Farrelly Brothers have two dicks, Seth MacFarlane (who, tangent, I saw singing karaoke in LA once and it was magical) has a dick, Wes Anderson has a dick I imagine he admires in the mirror nightly, and Judd Apatow has a dick that he uses to inspire his screenplays (40 Year Old Virgin, This is 40, Knocked Up.) Ok, so where are the female comedic screenplay writers?

Ok, so there are some. Here’s a list of female screenwriters (not all are comic screenwriters) and many of them have written well-loved films over the years. There are women writing in Hollywood – but just like in tech, women in leadership roles are few and far between. I’m not saying I’m destined to be the next great comic screenwriter (I’m not even funny) BUT there is a lack of comic roles for women to play and it would be quite satisfying to take a stab at resolving that.

Besides specific roles, the type of comedy women write and what men write is quite different. I watched Tina Fey’s “Whiskey Tango FoxTrot” and cringed at how dumb the movie was — while comedies written by men are creative in pushing the limits, everything in this film was just so cliche. It wasn’t funny. At. All. Amy Schumer is the hottest female comedian today – yet her movie Trainwreck was a trainwreck of a comedy. Her standup is ok and I appreciate her shtick, but there was nothing creative or original about her film. And, surprise, surprise, it wasn’t funny.

Then you have movies like Bridesmaids where women writers attempt to do the “Hangover” thing for the ladies — Kristen Wiig and Annie Mumolo gathered together some of the most popular female comedians and tried to capture the same spirit of the aforementioned film – yet, in the end, they got stuck at poop jokes and nothing as creative as a tiger showing up in their bathroom or ending up at Mike Tyson’s house. You have Melissa McCarthy’s annoying shtick which is hit-or-miss funny if you can forget she’s just doing the same thing she always does in every fucking movie … and Kristin Wiig being Kristin Wiig… and because it’s a female movie it has to be all feel good and let’s be friends forever bullshit bullshit bull.

The last funny-ish film I watched featuring women was “How to be Single” – which was still not that funny but at least it had its moments. Ok, it was god awful horrible but for an airplane movie I did have a few LOL moments when I hoped the people in the seats next to me were really asleep. The movie was written by Abby Kohn (who wrote one other romantic comedy), Marc Silverstein (the dick) and Dana Fox (who seems to cowrite for male comedy writers.) Really, that movie was only funny because of Rebel Wilson, who is almost as annoying as Melissa McCarthy but somehow her shtick is charming and believable which makes her quips laugh-worthy. Without Wilson, the movie would have been god awful.

So where does this get me? I doubt I’ll be writing the script for the next “Room” anytime soon, but perhaps I’d have a shot at writing comedy. There’s a huge gap in screenplays featuring women that are comic but not flat-out dumb or traditional rom-coms written by dicks and the people attached to them. It seems like a good mission to have to write one hilarious movie that isn’t so damn cliche and instead can be like Woody Allen-style funny from a female’s perspective and sans all the child molesting / marry your step daughter stuff because even though I want gender equality in Hollywood I have to draw the line somewhere.

It was just yesterday when my  boss told me he doesn’t want to fire me only he doesn’t want me to be in charge of things like I have been because I suck at being in charge of things and to his surprise I wasn’t upset or pushing back on this I just nodded and agreed and confirmed that he wanted me to stay as long as I focus on the things I do best and completely stop trying to do the many things I can’t do well. He gave me the option to leave if I want but I don’t really want to leave, I want to just focus on being good at something and then being able to leave work at a reasonable time to take classes and try to not be too tired to write. Now that the wedding is over and I’m not pregnant yet I have time. Time to write my first “will never be seen by anyone and will be horrible” screenplay and learn a thing or two about if I have a chance at ever writing for a living. I have a secret little fantasy of this working out extremely well and then going for my MFA at UCLA in screenwriting and getting really good at writing and writing all these hilarious scripts that sell well at the box office but also give female actors some real funny material to cut their teeth on versus the standard bullshit comedy that is written for women.

I might lose my job but I think the best thing to do now is to try to keep it, do my best, limit my responsibilities, do a good job, and give myself a set number of projects to accomplish in a given week so I feel productive, look productive, am productive, and can go home and have a life and focus on my writing / creative projects. If it sounds too good to be true it probably is but at the moment I’m feeling hopeful and like maybe I can make this work. I’m too old to be letting life pass me by. I spent my entire childhood and early adult life dedicated to being creative and suddenly as an adult I cut this huge part of me out of my life. If anything, even if this is just a hobby, maybe I’ll find myself again.

 

Life is Short and other things you already know…

When you get to your 30s, you realize that 10 years isn’t really that much time from start to finish. Somehow childhood seems so painfully long at times. The stretch between one birthday and the next can feel like a decade. Minutes felt like hours and hours felt like centuries. I remember very clearly sitting in class staring at the second hand slowly clicking its way around the clock. I wasn’t the best student in school, but I certainly was an excellent study of the glacial movements of a clock’s minute hand.

The last 10 years have been filled with plenty of ups and downs. My 20s had their fair share of crazy and now that I’m well into my 30s, I do feel that time of my life is over. And despite that probably being a good thing for my health and sanity, I still feel the need to mourn the departure of my extended youth. I don’t know how it happened so quickly, but it did. And just as the last ten years have passed by so quickly, so shall the next ten and the ten after that. It seems as if there is this cruel joke played on us by time, where all of childhood is leading up to this miraculous part of life where we are just-turned adults and free to be both adolescent and in charge of ever instant of our destiny all at the same time. Then, you’re 21, and, then, you’re 30 – a true adult with wrinkles suddenly etched into her skin, tired eyes and dull hair requiring specialized shine treatments to look half as youthful as you did just years earlier.

I’m less afraid of aging than I used to be. I’m still terrified of death, although in theory if my belief that one loses consciousness entirely and is just nothing for the rest of eternity, it should not be scary anymore than sad, and should not be sad any more than egotistical, as any sorrow for such departure is the same sorrow that should be poured onto thoughts of the world before one was ever conceived – but somehow that doesn’t seem sad at all, the infinity pre-dating our own birth.

Regardless of one’s sentiment towards our  inevitable mortality, we can likely agree that our time on earth is finite, and the years which we have in good health are even more greatly limited. We watch our parents age and part ways with the earth, which is horrible but at this age becomes part of the routine. Then there are the unexpected early departures — relatives who grow sick or lose their life in accidents that have no mental preparation. I’m fortunate to date not to have lost any loved ones, not even my father who was told seven years ago that he had no more than two years to live. But none of this luck can last forever. Life is this transient light which shines for only but an instant, and we must shine despite the lights of others dimming and, others, growing in luminosity all around us.

Nine years ago, I almost died. I don’t like to talk about the car accident I was in because every time I think of it I feel sick to my stomach, probably from minor PTSD. I was driving on a two-way highway when I was exhausted early one morning — I was returning from a work conference and hadn’t slept well the night before, and thought I was ok to drive home. I had just started driving only six or so months before, so I wasn’t the best driver yet either. My tire blew out, I had shifted to far into the curb in the center of the highway and my car skidded across the road and ended up spinning around and around in a ditch. I remember very clearly the dirt coming up so violently to the window as I spun to a stop, completely stunned. About a minute later, two cops came and knocked on my window. I was just sitting there – I was fine, somehow. I could have easily hit a car or truck in the lane next to me, or could have gone off a cliff if I had been on the other side of the highway, but somehow I didn’t hit anything as I skid down the road and into the dirt, completely unable to take control of my car.

I walked away from that accident with no damages to myself and barely any to my car. I was very, very lucky. I never told my parents or many people about it. I didn’t want to worry anyone. I didn’t have a boyfriend at the time, or any close friends nearby. I told myself to forget about it, and I did, expect when I think about that day, and remember so clearly the moment when I spun around in the dirt until I finally came to a stop.

And that was nine years ago, but still it haunts me. But then, as I faced death head on, I don’t recall being very upset about the prospect of dying. I was scared, for sure, but I was extremely depressed at the time and thought to myself, in that moment when I was given a second chance, who would care if I was gone? I had never felt more alone.

The beautiful thing about being in a relationship en route to marriage is that you have this one person who cares not only whether you live or die, but who would notice should you be hurt or in need of help. And, in turn, you share that responsibility and that love. You have long left the family unit of your parents and siblings, and now you’re on your own, – and being on your own sounded great until you realize that means no one is looking out for you. When you have no family nearby, when your family barely thinks to call to ask you how your doing, and when you realize they never actually cared how you’re doing because they only value you for their narcissistic supply, you value relationships more than ever.

See, I was the girl who always thought she’d never get married. After watching my parents have violent fights since as early as I can remember, I thought marriage was a bit of a joke for most types of people, especially any with my DNA. I was hopelessly broken, unable to commit or to be worthy of being committed to. The best I could hope for was a series of heated relationships which would be entertaining, to soothe over the long periods of solitude.

But then, when I met my boyfriend, I realized that I could indeed love and be loved. We had a rocky relationship for a while – as we were both immature and scared to grow up, both coming from broken homes and lacking a solid foundation of familial stability, despite deeply longing for that sense of comfort and calm.

Now, deeply in love and on the dawn of my wedding year, I see this overpriced event as the entrance to this new phase of my life. It isn’t that much of a difference from today, but it is a commitment to a commitment. It is knowing that no matter how hard life gets, at least in our health, we have each other. And, just as one never mourns the time before she was born as she would thoughts of her future passing, it’s the worst feeling in the pit of one’s stomach to imagine one day losing your love; yet the thought of life before them is nearly impossible to recall.

When I stood beside my grandmother last year as they slowly lowered my grandfather’s casket into the ground, she shouted “wait for me, I’ll be there soon,” with tears pouring down her face. I had never witnessed such visceral grief. It was real, raw, and I understood, and I closed my eyes and could see years from now myself with the same deep sadness. I wanted to comfort her but I did not know how – how do you comfort a woman who will never again see the man she loved and battled with through that love for so many years?

And in the end, life is only worth what we’ve created and who we’ve loved. In the arms of my sweet future husband I finally know what love is. I can see living with him just about anywhere and together we’d be fine. That part of my life is great now, but I haven’t gotten to the other part – the part longing to create – to maybe make a mark on this world before I leave it. I often tell myself it’s silly to want this so badly, as in the meaninglessness of life, so too is creation pointless in our blip of existence on the infinitum of time. Is someone who is an artist, writer, musician, actor or designer any more of a successful, complete person than a person working to promote software? Anything s possible at any age, yet it gets harder as you grow older and get set in your ways. As I wait for a moment of inspiration, I know I wait for a moment that will never come.

But love did come, and with love comes the sadness of knowing one day the man I love, and I too will disappear from this earth, at least the parts of us which make us human. I try, now, to value each second together, as the clock no longer ticks on as slowly as a slug making its way across a sidewalk, lacking any noticiable forward momentum from the human eye. I watch my iPhone clock go from 6am to 6pm in what seems like an instant, and holiday seasons return in what feels like shorter than a month’s timespan (didn’t the Christmas lights just come down?)

Since there seems to be no way to slow life down, I only hope I can manage to make the most of it, to fight off this curse of depression, and to embrace my consciousness’s brief stay on this unlikely little home we call earth.